Wednesday, January 06, 2010

first rains - 4 - End

‘Say’, Abhay’s closed fist yanks out of his pocket, pulling it inside out, and opens to offer me the diamond he had discovered when we were digging in the back garden; Ba had dismissed it as a pendant from the chandelier but we knew better. ‘Say it’, he brings the open palm under my nose, and rolls the crystal in it, tempting me with its flirtatious winks. ‘Say that you hate Preeti too.’ I look up anguished at his mud-crusted face, the tear stains like dried rivulets, the welt under his eye where she had punched him before rubbing his face in the flower-bed turning a strange purple. ‘I can’t’, I weakly mewl again.


I came to our small world two years after her, and like a leg trailing the other a step ahead, I chased after her, pulling at her heels, mimicking her, demanding and claiming the same as she did. Sometimes she would stop exasperated and push me away; I would pick myself up and hurry after her again.

I have no memories of discovering her. I must have discovered her the same way I discovered my toes as an extension of my essence. We fought, we laughed – but love? Hate? These verbs which defined the world of our relationships held no meaning between us.

The only time before Lucknow when the chasm between our selves revealed itself was when she bitterly told me that I had killed ma; that she had started dying since I came. I crawled beneath the bed and lay their hiding in the dark, my heart throbbing, too scared to breath, to comprehend. Ba pulled me out and holding me with one hand, she dragged Preeti with the other and sat facing us. ‘What did you say?’ she shouted at Preeti, ‘What did you say to him?!’ Preeti remained silent, her hand limp in her grip. Ba let go off my hand, and slapped her. A tear coursed through her cheek but she did not cry, till I fell on her crying, and then both of us cried on Ba’s shoulders, and laughed between our tears to hear the strangulated way Ba would weep in.


Preeti digs her heels between papa and Badi Ma and stares defiantly at the lens in the platform, half-clutched hands dangling at her sides ready to pull out the six-shooters, only we could see the fear knit in her frown. I lie slumped across Ba’s shoulder, my face unseen but it’s not hard to imagine me from behind– eyes half-closed, mouth half-open and drooling, hands clutching at her back.

I could not follow her in the world that began from that photograph. The legs cleaved.


I sulked on the parapet as I heard her scraping and shuffling behind me. A day ago, I had put my head into a room and she had lain on the bed staring in my direction. I had hit my head on the awning in the hurry. Clambering below, she greeted me with an indifference which made me decide that she had not spotted me. Evidently, I was wrong.

After a few minutes, I turned my head and she stood at the edge of the parapet of the dining room. She turned away and I reluctantly got up and followed her. She sat on the awning of the sky-window opening to the drawing room, her feet dangling a few inches above the tar, her face solemn. I dragged my feet and stood in front of her.

‘Take out your hand and swear.’

‘Swear what?’

‘That you will not tell anyone about this. Not even Ba. And especially Abhay.’

I swore.

‘On papa? On Ba?’

I nodded.

‘Now you swear that you won’t tell too!’, I shot back bristling.

‘Of course, I won’t’, she shrugged and hopped from her seat to her legs. ‘Anyway, I don’t swear’, she walked away dusting the back of her frock.


The fierceness with which Preeti took on this new world surprised everyone – even me. By the time I recovered enough to join in the games, she was the ring-leader. I never saw her beat anyone else other than Abhay in their skirmishes but I saw how they flinched when she would freeze and turn her eyes on them. In a wedding, a boy rushed ahead of a mob following us and asked us something and then howled at our accents; the next time he drew in again, she whirled and stamped a raised leg flat on his stomach; after the crying and wailing had been done away with, after the chap had been thrashed a second time by the mother he had pulled along, he was eagerly plucking the choicest marigolds from the strings and fetching them for Preeti, and, as a further appeasement, offering them to me which I eagerly grabbed by the bunchful, while Preeti disdainfully picked a single orange bloom and plucked at its petals indifferently.

I knew it was an act; that she was as frightened as I was. That she fought for us – two waifs stranded on a shrinking ground between the sea, papa absent, Ba snatched away. Once, as they were being pulled away from a fight, Abhay landed a kick at her ribs; we all heard the crunch of the toecap against the bone, but she remained impassive, her hands dangling loosely at her side, watching him being dragged in a weeping bundle by chachi. After affecting a boredom for a minute, she walked away and disappeared behind the portico. I followed her to the corner where she lay crumpled behind the pipe. I squatted beside her silently and touched the rib below her pressed hand and watched her crying in silent convulsions.

Her struggle to master the language of this world was just as vehement. True it was a truncated world now – so everyone told us and so the old servants grumbled. The house which had so overwhelmed me was but a shadow of what it had been once. During the time of my grandfather, the front would be filled to the driveway with the daily supplicants and dropper-bys. They would crowd under the portico fans in the summer and sprawl in the lawn under the winter sun, and drink from the hand pump on the broken pedestal at the edge of the lawn which had gone dry. Even the chairs and rugs, now piled in mouldy corners, laid out in the shades then fell short and the lower sort (Jwala – the half-mad geezer who screamed and argued with an invisible companion between his day-long routine of dusting and re-dusting the sideboards, pausing to keenly listen to the other side of the argument – pursed his lips in grim satisfaction) had to squat in the lawns to share their tales of woes.

Ramdei would nod dejectedly towards the huge cauldrons and tell us how an army of cooks once cut the vegetables under her supervision to prepare the feast to fill the leaf plates for fifty men everyday in the leaping flames of a giant choolha – and look at them now! – she would point at them with the end of her smouldering bidi –Gathering dust in a dark corner, turning their black arses on the present!

The house was so full with relatives that the courtyards became dorms with rows of khaats smothered in mosquito nets stretching across their length and more than once, Bua tittered, an aunt had been woken up shrieking by a wrong uncle fumbling in the darkness.

And of course, there was the monochromatic evidence of those abundant times spilling out of their black scrapbooks: Nehru lunching in the lawn under a shamiana sitting in the middle of a row of white-clothed tables, a famous movie star sitting in the drawing room with a young Bua bursting with glee on his lap, grandfather bending his head to hear the soft words of the diminutive prime minister; ministers, bureaucrats, cinestars; and always, a sea of people behind them, faceless, with folded palms in supplication.

Whatever little world remained, preeti set out to conquer it with a doggedness I had never suspected in her; I had always worn her out. Within no time, she was dancing and singing to the folk songs in the ladies sangeets to delighted applause while I shyly hid behind the pallus. The aunts fawned and beamed at her interest in the feminine rituals of the household. The oiling of hair on Sunday mornings when they would congregate on the steps of the courtyard after their baths, smelling of sandal and jasmine, and spread their lovely black hair, dripping and staining the granite a dark grey: I can see her sitting behind chachi, opening the cusp of her hand slowly as she runs it along the length of her hair and spilling slowly the oil cupped in it. The clinking of the bangles as her tiny hands rummages between theirs through the white muslin the choorhiwallah would spread and squat a distance away; ‘Do!’; ‘Chhah’; announcing the price by the dozen of the bangles lifted to his eyes. The ceremony of preparing of the henna, the preparation of the rangolis, the washing of the brass gods by Badi Ma, … – she absorbed it all, stopping only at the rituals of cooking and washing because that would undermine her feminist war for the right of birth with Abhay.


‘But who was she?’, Preeti asks about a stranger who had just sat outside the kitchen chatting and laughing raucously with the aunt and munching on the dried red chillis laid out on a newspaper.

‘Arre, she is the wife of Sarju uncle, the son of Poorab chacha!’

‘Who is Poorab chacha?’

‘A family friend.’

‘Whose friend?’

Sarla chachi looks up from the pan and frowns at the wall for a moment. Then irritatedly she picks up the plateful of diced onions at her sides and tips it into the pan in a fury of sizzling smoke, ‘Arre, must be someone’s! Aise hi thode aa jaate hongein!’


I would hop in from school to find her sitting between the scene of dicing vegetables, fermenting pickles and grounding spices, her satchel tossed on the takhat and a rag doll or a book in her hand which she pretended to be occupied with. But, I knew, she was listening intently to the murmurs of gossip which passed from the servants to the ears of the aunts and Badi Ma. I tried joining her, despite her frown, sprawled over a sketchbook, badi Ma idly stroking my hair, and trying to listen and understand, but all I gathered were opaque whisperings of adult intrigues. It took me some time to accept that she could actually find her steps through some rooms of the labyrinth of people that encircled us, that she could connect the names and faces to us and even place them to some degree of proximity with each other. When in doubt, she would cross-examine hard, poke savagely at the fabric of tales, find holes and retreat to think and compare evidence; and then come with dark startling deductions.


‘There must have been another grandmother who died. Grandfather must have married twice. Chacha is not Badi ma’s real son.’

She spoke in our argot of Russian, Kazakh, English and many other tongues. We usually spoke it when we were alone. It made others uneasy and we used it less and less in public though Preeti would sometime throw a most irrelevant remark in my direction when we were with the other kids, I suspect, to add to her aura of impenetrability. And when Ba would chide us to speak in Hindi in that very khichdi tongue, the eyes of the aunts would narrow with suspicion.

‘How can you say that?’, I asked her in a whisper strangulated with intrigue.

‘How else can papa have three grandmothers?!’, she snapped, ‘Why does she dote on papa so much? And why else does everyone call her Badi Ma, chacha calls her Badi Ma, but papa calls her just ma?’

She turns away from me and sits hunched and frowning on the lower step, deep in thought. I sit beside her, waiting in suspense for more, waiting, and after some time, getting up and ambling away towards the bent guava tree. I turn to look back at her but she still frowns at nothing. I climb up the tree and sidle up a branch. Locking my feet, I fall and swing upside down and close my eyes and think about it.



Papa had changed after coming back. Not only his absences were more prolonged, coming back only in the breaks between the semesters, but his withdrawal from us when he was there. Preeti and I never spoke about it and we never complained to him. Instead, we clung to his neck when he would tiptoe into our bedrooms to kiss our foreheads, and once when he read softly from a book we smiled like the ritual from the apartment had never been interrupted. On the two occasions I remember when he secreted us in the backseat of the car and drove to the milk booth on the bank of the river, we smiled brightly over our bottles of flavoured milk and never asked him why we could no longer sleep with him, why we could no longer eat together, why did he look through her and never speak, why we could not still have our apartment in the twice-as-big smaller wing of the house. Because we sensed that more than us, it was he who was struggling to balance that secret world of deserts, excavations and our little apartment within with the world whose patriarchal sceptre had now been thrust in his hand. He was the weakest of us. In a way, Preeti was protecting me, and both of us papa; trusting that she could look after herself and, secretly, over all of us.

We blamed Badi Ma. For keeping him locked in his study when he was home and completing his sequestration by opening the room adjacent to the study, installing a new single bed there, and sun chairs on the verandah which he never used, since, she told everyone, he needed his privacy for his work. The lawn separating that wing from ours became a no man’s land where no idle chatter could corral and no child, even us, could play. Servants could walk across only with assigned tasks. Ba no longer kept his books; Badi ma assigned Ram Lal, grandfather’s lanky clerk with a mop of white hair and a brown half-sweater on his spindly chest even in the hottest summers, to that task. In the morning Mahadev would walk across to do the dusting and mopping. It seemed that the only time papa stepped out now was when he sat in the secluded room adjoining the puja to confer with Badi Ma on the affairs of the household and the many trusts she still ran, and to receive a screened batch of visitors. He even ate alone in his study, the food brought in by the Brahmin cook Hargovind and the plates brought back by Ram Lal; away from the dining room where Preeti and Abhay would squabble over a chair, where the servants would line against the wall holding the pots and ladles waiting to serve the circle of male relatives and VIP visitors only after she had hobbled out of the puja, plopped on the gaddi bolstered with many cushions with a groan and nodded towards them to go ahead. The wiring of the bell in his study to summon help from the main wing was fixed again but papa never used it. These rules, and roles, were never spelt out but understood in the same manner everything Badi Ma wanted was understood – unspoken.

It seemed ridiculous that the aunts had to bring in the chapattis to the dining table instead of one of the servants brining out the daal and the sabjis (Badi Ma would growl if a roti was served without enough ghee rubbed on it). Ridiculous like how Hargovind had to go and summon the ever unemployed chacha to fetch water from the brass pot for Badi ma every time she felt thirsty when he could have fetched it himself. But everything in that household, I realised later, had a meaning in its order; it was her way of keeping things and people in place. At least the appearances when things were no more what they had once been. There were hours for everything: when the household slept, when it woke, when it ate and when a certain amount of commotion could be tolerated. There were rooms where only certain people could walk into, bathrooms restricted to certain members of the household and visitors, cupboards cutlery and pots only particular servants could touch. The men ate before the women, the women before the servants, and some servants ate from steel plates, others from pattals, some of them seated on wooden pedestals, others squatting. Each servant had his task cut out, from the washing of plates to the laying of the beds to the serving of tea and lunch to the visitors; there were rules even to whether the visitor would be offered a chair and served in a steel or a leaf plate and whether requests for more tea would be entertained.


I ask chachi why Ba doesn’t eat at the dining table with us. She gapes and beckons Ramdei to come closer; they bend over me and she holds me by the arm. ‘Did she eat at the dining table there?’, the thrill barely suppressed in their whispers. I stand mute, frightened that I have betrayed something again. Suddenly chachi shoots upright on her feet and Ramdei rushes away to the rice she had been separating from the husk. I look behind to find Badi Ma staring tight-lipped at a blushing chachi pretending to look busy with an empty pot in her hand. She had this quality of leaving her hobbling groans and almost floating around the house to catch people with their guards down.


By isolating papa, she was trying to protect a weak king from the whispers of the mob. This was her love for her son, this was her way of protecting him from himself.


I startle and open my eyes. Preeti stands upside down staring through me. ‘She is not Badi Ma! The Badi Ma died and then she came! She must be Chhoti ma!’, she pauses, ‘Vimla bua called grandfather’s mother Badi Ma. She must have taken her name after she died, after both of them died.’

Her eyes suddenly focus on me, ‘Papa is younger to chacha. In fact, chacha is our tau!’

My legs slip and I fall on my hands and stomach. ‘Don’t tell this to Abhay’, she tells me.

I believe not all of it was kindness; it was also to suppress the secret of the advantage Abhay gained if chacha became elder to papa. But I knew better. Swinging back and forth, I had suddenly been overwhelmed by the epiphany that in this clockwork hierarchy of privileges and duties, I sat at the top. I had rushed that day inside the puja where papa and Badi ma sat poring over the ledgers and hid behind his chair, while the rest of the cousins and even Preeti balked at the doorsteps. Badi Ma shooed them away and then turned to smile indulgently at me and passed the key to her forbidden almirah from her karghani to the bending bracket of Ram Lal and told him to fetch a Threptin for me. Suddenly I understood. She was the stewardess holding on to the vestiges of the crumbling empire that papa had inherited; and that I was going to inherit it after him.



The crack had fallen off in plastery rubble and been resealed with fresh concrete. But I was now tall enough to climb the mesh and reach the ledge under the parapet, and directly swing to the low wall from there. I peeped over the roof of the dining room and she was there, squatting under the awning of the window to Badi Ma’s room.

I had long given up on that game. The only time I looked over now was in the hours of siesta, with a sketchbook spread below to watch them sleep. Badi Ma lying on her side, the drape of her sari across her cheek and spilling across the bed like a stray thick brushstroke. Below her, sitting upright but with his head resting against the edge of her bed and one hand still on the feet he had been pressing, Lallan, the village lad who taught me to climb the mango tree. Chacha on his stomach with his hands at four and eight o’clock, looking like a bird which had suddenly forgotten to fly and dropped with a splat. Chachi buried under a blanket even in the warm afternoon. Abhay on his stomach too, squashed between them, his butt half-risen in air. I would watch them: painter with the brush poised in mid-air pausing to stare at his freeze models. I would fill my insides like a diver with the air of their lines and forms, and then duck my head out under the awning and furiously attack the sketchbook before the vision, its memory, dissipated like bubbles breaking and vanishing at the surface, like a dream melting away.

Mostly I remained on the side of the outer rooms, walking across the low wall, to the other house, where Arjun, the boy servant and my companion, would be flying a kite while the family took its own siesta. I would take precaution to be never seen as Badi Ma had lost a son, and papa a brother, when he fell off the edge of a stepped farm into an abyss while chasing a kite. (Sukhi dada, the caustic octogenarian, the only relative I knew Badi Ma feared, who referred to us as pille, dog’s litter, shouts over his lunch, ‘Is there any onion? Or did somebody die eating that too?!’) Preeti knew; but then I knew many things too. So we both ignored.

I did not climb the roof now only to fly kite. And she to eavesdrop. It had become a secret world we shared without sharing, where we could be alone in our parts to catch our breath in its silence, to be unseen, to imagine. We wanted to tell her too but we were afraid that she would forbid us to climb up anymore.

I watched her cock her ears close to the window and tilt her head a little towards it.

I thought that no one knew our secret. But one day as I sat over the parapet, papa stepped inside the back garden and walked around the courtyard to the orchard and paused at the mango tree in its centre. I would have ducked away from his view but I was too surprised to see him there, I had never imagined him there. ‘I planted this tree’, he suddenly said without turning. And then he turned and looked directly at me and smiled, ‘I must have been your age then.’

I told Preeti that we had to take more care of not being seen; she shrugged and said that she only listened and never peeped, which was true; and anyway, she hardly even did that anymore, she waved her Blyton in my face. True again. And which was why her statue-like stillness, the unblinking glint in her eyes, piqued me and I approached her. She bade me to be quiet with a finger on her lips and remained intensely locked on to whatever she was eavesdropping on. I put an ear to another window and heard the deep sibilant echo of whisperings. I tried to follow the context but it was too vague for me. A word rang again and again, voh, followed by three matras – he she them. I lifted my head and gesticulated towards Preeti –What? She held a finger to her lips again. I turned and started climbing over the shade to peer inside; it had been so long since I had done that and the spiders had weaved thick cobwebs that I had to headbutt through. I saw Mahadev’s huddled form bending over Badi Ma’s ear, lying on her back, her bun open and thin grey hair scattered on the pillow like a half-crown above her head, staring straight ahead and looking sad but brave. And then Preeti pulled me out. ‘What?!’, I gesticulated angrily at her again and walked away angrily, sure that she was pretending.

That night, as Ba rose after tucking us in, Preeti held her hand and whispered, ‘Mahadev was telling her something about him again.’

Him!

I rush into her room but she’s not there and it’s his arms I fall into. His teeth flash, his eyes burn on his face and I flail in silent panic. He laughs, bellow, and lets me go and I rush out dizzily. I claw hard at the pillow, and I hear Preeti draw her breath.

‘You and him.’

Ba paused and then ran a hand over her forehead, ‘Piya, you shouldn’t eavesdrop dear.’ I heard her kiss her forehead, the shuffling of the sheet she drew and tucked under her chin, move to my bed and pause at my sleeping form, and then she walked out of the room, switching off the light after her.

I lay paralyzed and cold with terror in the darkness. Wrapped in a terror I had never known possible and yet realised I had known once: deeply etched in the birth of my consciousness, the terror of mutely and helplessly losing an essence so deep so deep.

That terror became a face.

The face of Badi Ma. Lying on her bed and mutely listening. Unbudging hardness glinting under her pudgy sorrow. The face I had seen hanging on the wall of his room that night.

That night, too frightened to even cry, I lay frozen like that day I crouched under her bed, suffused with only a primal terror and incomprehension no words could unfathom. The next morning, I was found wrapped in a drenched bundle of my sweat. I fell sick again. But my sickness could not keep her from taking her away from me.

Friday, January 01, 2010

Separated at birth?

Chetan Bhagat, Virensra Sehwag, My nephew Adi

Thots on New Year's Eve

  1. I always forget to smell the roses on the way to my office. When I do remember, I can't find them and the flower boy offers only tulips. So I sit in the cubicle and sniff at my armpits.
  2. The best compliments in life are on the size of your sex organs.
  3. It takes two taangs to go.
  4. Never kiss a gift horse in the mouth. Don't kiss him in other places too.
  5. You can tell a lot about a man by counting the 'suck's and 'fuck's in his google searches. You can tell even more by counting 'gay porn'.
  6. Do faucets get tap dance in strip clubs?
  7. A friend in need is a friend...? [Sneer] Indeed!
  8. Are Aamir and Chetan fighting over the name of the third idiot?
  9. Subah ka bhoolaa jab shaam ko aataa hai toh usse bhoolaa nahi, "Good Evening" kahte hain.
  10. Mahesh Bhatt is adapting A Fish called Wanda. The fish is called Avatar Nose.
Happy new Year. Hope you don't have to climb to the top to realise it's the wrong wall.

Thursday, December 24, 2009

The Invisibles

Yesterday, I caught up with a colleague who had started his work stint under me four years ago. Since then, I have moved to Gurgaon, and he’s jumped two ships. Along with him came a silent colleague who, incidentally, was my replacement in the team I left in Bangalore.
We chatted over dinner for a couple of hours and then headed for a CCD at 11. After half an hour there, the silent colleague finally spoke something. My friend then stepped in and told me that the guy was very well read in spiritual texts, especially Osho. A few questions revealed a man not very materialistic, high work ethics and a philosophical bent.

I empathize with the man. Much of what I have done and read in the past five years are outside the domain of the mainstream discussions. If I follow a famous rape case, see a popular movie, or the exploits of a tycoon – I am immediately in currency. Not so if I am reading about dead civilizations a couple of millennia ago, the theory of absurdism, impressionism, and offbeat literary fiction. The five years have taken a severe toll in my social confidence and only a thing line separates me from a recluse – perhaps it’s been crossed. A month ago, I was sitting at a colleague’s place and he mentioned the date of his marriage anniversary in a gathering, and I mentioned that the date was the very date of a very seminal event in human history and that I’ll never forget it. Immediately, there was an outburst of laughter and shaking of heads. In other times, I would have grinned sheepishly. But inexplicably I felt a surge of anger, even disgust, and only my closeness with the gang kept me seated and silent.

My team in Bangalore had contained four people – one of the guys was a silent sort too and considered a little “weird”. In an offsite, we happened to be sharing a room and while games like Queen of Sheba were being played, we retreated to the room to read. I discovered that this guy was very well read, far beyond me, and had a deep understanding of Urdu literature also.

There is no resolution to the post here. Just points.
The mainstream brings people together in shared tastes and passions, but at the very same time, excludes those whose tastes differ. Some of those, who can afford it, turn snooty and are rightfully called elitists. Elitism is often a disguise for snobbery and I have met very few elitists who actually have substance. But on the other hand, anyone who has a word against the mass taste is unfairly termed an elitist. This is the field of mainstream contemporaneousness with the actors as men. Now in the field of politics, this becomes a fascist tendency to converge in a same identity, a forced syncretism, and the elitists become the worst stereotype/minority sects of the excluded population – jehadis, jews, Up/Biharis.
You might feel that this is an exaggeration but, if you have the wherewithal, think again. Our tendencies and character remains the same in many fields. How I express myself in work has a very strong correlation to my other fields – family, personal space, etc.

A muslim friend once said to me that no matter how much I empathize, I cannot really understand what being a minority meant. True. In the same manner there is an intellectual minority also. By this I do not mean that they are intellectually superior, but just different. Mainstream commercialism, whose mechanism is to fill all the space in search of quantity and use marketing as propaganda to align all tastes to a single consumable commoditized whole, leads to latent ostracization in the same way one of the worst mental punishments in school was when the teacher asked all the other classmates to ignore you.

I always feel a little sad when I meet someone young quite and gauche because what he has to say has mostly no currency in public space. Because there is always a strain of tragedy in their silent dignity.

Tuesday, December 22, 2009

Mandatory voting?

http://news.rediff.com/report/2009/dec/22/bjp-seeks-national-debate-on-compulsory-voting.htm
Has the BJP lost its marbles completely?!

Even I remember from my civics, that there are directive principles and there is the law.
The law is to curb our criminal instinct, the directive principles to suggest our civil responsibilities.

Even if voting is our responsibility (which I disagree upon), it can not be implemented as a law. Would I be jailed if I do not vote? Would all the people on the street be jailed for not coming to rescue of a victim being bashed by goons n the streets? Would people be jailed for leaving the tap on after use?

All these are valid punishments if the argument of implementing mandatory voting is gone ahead with the BJP’s argument of voting is "both a right and responsibility." Since, being responsible citizens goes far beyond just the act of voting in a sham feudal democracy.

Monday, December 21, 2009

Avatar


I came out of Avatar with a headache but that was only the glasses. the movie passes well for a timepass.

But a lot of hype has been created about Avatar and somebody needs to let some of the hot gas out.

First of all, Avatar is not going to sweep you off like they tell you. Pandora looks like a video game world and we have seen enough of that.

That Australian lead star (why are all the Bollywood actors now Punju and the Hollywood ones Australian: have the "brawn without brains" stereotype finally won?) passes well but I have read people rave too much about his anonymity. i hardly think having ben affleck, which worthington resembles a lot, would have made any difference.

the only hype justified is the luscious saldana. who had already fired all the space ships enough in star trek. I suspect, if she hadn't been black, after these two stunning appearances, she would have been crowned as the next Julia Roberts (tho' it still beats me why JR got crowned in the first place). And make no mistake - color still does matter in a still largely WASPish Hollywood mindset.

As for the plot, it's Dances with the Blues in the 3D -- the only difference being that the natives win and manage to transfer the white Costner to a red native in the end. But it still fares against the cliched plot of Cameron's last outing - Titanic.

In the end, Avatar is a watchable flick about everything which is already done and everything which is fashionable - a story against imperialism (only about a half to two centuries late in its time) taking its inspiration (and admitting it) from a 3-D Gollum conceived about seven years ago and a concept - Avatar - which is as mundane in the digital world now as a tweet.

Now digitialising the original Avatar with a panting-blue Shabana Aazmi (her male Avatar spelt as Shabana Aadmi) trekking along with Kanchan screaming about a call which came beyond nature -- that would have been far more interesting. I have always dreamed about a pink Rajesh Khanna in jock straps. Blue is close enough.

This is my 100th post for the year.

By the way, Na'vi (what's with the frigging apostrophe) spells Ivan in reverse. Is it again one of those tiresome tributes HW keeps patting itself with?

Tuesday, December 15, 2009

Confused

Bollywood and Shiv Sena under LET's target

But aren't they supposed to be an outfit against our national interest?

Monday, December 14, 2009

Transparency in Media coverage - IE Editorial

Link

Indian media needs remedial action, and needs it now. As evidence had poured in about how election reporting is widely up for sale (methodically exposed by The Hindu) and how articles and programming all too often do not carry disclosures on sponsorship (as detailed in two reports in The Sunday Express), the media have been forced to look harder at our own linty navel. It is perhaps no surprise that there exists a sophisticated persuasion industry, spanning politics, business, sport and entertainment, which aims to use the news media as brand battleground — to shine a politician’s image right before an election, sell a razor or provide publicity for a movie — and do it sneakily, pretending to be a straight piece of news.
There is an entire range of such insidious practices, from private treaties to advertisements in return for buying up newspapers and inflating circulation, besides more complex kinds of implication — impacting both the reportorial and editorial fronts. For too long, much of the mainstream media in India has gotten away with prissy exhortations to transparency, responsibility and ethics even as their own marketing departments are busy shilling. TV networks which never tire of meta commentary on the lines of the New Yorker cartoon — “Welcome to All About the Media, where members of the media discuss the role of the media in media coverage of the media” — have an even harder time living with themselves, as their sanctimony clashes with brand partnerships that make it hard to separate truth and marketing lies. It is public faith in the need for a free media that guarantees the freedom of the press and checks against interference by government. It is this faith — and therefore this freedom — which is at stake. To be fair, many newspapers and TV networks are now instituting a verifiable set of norms, but they need to be held to their word.
Sections of the media that are complicit in this selling might feel clever about the way it swells their coffers, but are oblivious to the way it imperils their very foundations — and devalues the very space they put on sale. At a time when media outlets are staving off the avalanche of amateur content and trying to convince the world how desperately it needs them — that journalism is a vital public trust, an essential for a full-throated democracy — this is exactly the kind of practice that punctures the grand talk. The Indian media is so far insulated from the larger industry crisis, but one would think that in the interim, they would try and shore up a sense of professional credibility. It’s all we have.

Thursday, December 10, 2009

first rains - 3

A word: Thank you for reading the earlier bits. I like to kid myself that I write for myself alone but your words matter a lot. They always have.
i am posting these as I write them with little editing.

Continued from Part I and Part II.


I rise from the bed and gulp some water from the bottle. I pull in my slippers and slip in a jacket and grab the cigarettes pack. A slight shiver runs across me as I open the door to the balcony. The rain has stopped. I lean over the railing steel, with a jacket padded elbow – the icy wetness of the short shower quickly eats through it. The cigarette burns quickly to a stub. (Sudda inspects the stub in his hand and asks me in white vapory words, ‘Why do cigarettes finish faster in the winters, yaar? You ever noticed that? Oxygen?’ I ruminate, ‘Nyah, I think they burn at the same rate. It’s only you want them to last longer in the winters.’) I smoke another one. Halfway through, I turn to rest the other elbow on the railing and hold my head in my hands, and knead it. I don’t want to remember. A door long closed, its key lost, opened a crack and a heap of images rush out: chachi breaks from a conversation and rushes to the kitchen filling with the stench of burnt milk, Abhay pulls the legs out of a grasshopper with Bua’s tweezers, Ba catches me draining the milk in the commode and I wither under her cold silent stare, Badi ma sits still at the puja after her bath smelling like the first rains, the sunlight from the window falling in rhomboid patterns over her white sari, I race behind Preeti and we rush into a visitor defecating behind a bush who brings down his dhoti at the last minute, the dark cool inside of the fireplace, the chipped end of the takhat in the courtyard leading to the kitchen which always caught my shorts, the strong fermenting smell of pickles in the larder, the termites like dark brown tear-stains on the dank walls, the corners behind the curtains and sofas where we hid in our games, the edge of the clouds I peeped over – fascinated by the doll-house world beneath but purblind to the uncoiling serpent of its dark intents: the hush-hush of conspiracies, the tense tussle of power, and the game of gnawing attrition.


Slowly, the desert receded from my consciousness. Every afternoon while the house slept, I tiptoed around, learning to slowly push the old doors without making them creak, and explored its secret corners. I climbed the tin trunks in the store-room and discovered a row of stone slabs built into the wall behind where I could sneak in and never be discovered in all the hide-and-seek games. I climbed over the window mesh to explore a cylindrical hole below the sky window and discovered an abandoned nest. I discovered behind the big clay pot in the drawing room the cool dark alcove under the chimney of the fireplace where one could stand and raise his eyes to catch a chink of daylight in the distance and hear the warbled echoes of the winds. I climbed over the rails of the closed doors and peeped over their lites to discover roomfuls of furniture covered in dusty blankets. I discovered colonies of ants in the cracks of the stone steps of the verandas and secreted sugar crystals from the kitchen to watch them discover the cache, hurriedly send for reinforcements and then lug them away. I discovered the books of my grandfather, inside storage cupboards over the built-in almirahs, wrapped in thin diaphanous cloths smelling of the naphthalene balls which had been dropped inside. But all these discoveries were nothing till I mastered the skies. The silent world of skylights that dotted the walls of each room, dropping a feet below the high ceilings, and with their open shutters, half-rotated on their hinges, looking like the eyes of Ents keeping a silent vigilance over the bustling intrigues of the small humans, with bored sardonic eyes.


The house was a single storied bungalow with high ceilings and painted a cream yellow outside every Diwali only to turn a mysterious green by the time the summers came. The roof was reached by a makeshift bamboo ladder which wobbled madly on the mornings, twice in a year, when Madhav would climb it to put on the tricolour on the flagstaff standing over the portico, and in the evening to take them off. Sometimes, after the rains, he would be sent up to clear the water-clogging. But no one else was permitted to climb up, least of all us children – the only time we secretly tried, managing to prop the ladder against the roof after several tries, the gaps between its rungs were too much for us, and we fled after it came crashing down. After that, Badi ma had the ladder kept chained to one of the pipes.


We even tried climbing up the pipes but they were too slippery under our fingers. After that we gave up trying to find a breach to the roof. Or rather, they gave up. I persisted alone, in these hours of family siesta, and one day discovered a purchase in a deep crack on the wall of the guest room opening to the courtyard, the chabootra, overlooking the back garden where an English couple had once sat; it had been the room from where I had watched my first rain and usually remained unoccupied at that hour. I climbed the jaali of the window which ran through the entire length of the room ending in a door on the other side, biting my lips the first few times when the splayed fingers of my foot pinched against the metal mesh, and, with a hand slipped inside the crack, swung my other leg to a brick protruding at the edge where the wall of the room met the low wall dropping down the stairs and partitioning the garden from the inner courtyard, and clambering up to the top of this wall, heaved myself the two feet up to the roof over the guest room. I sat tired and proud on the parapet, turning my head slowly and taking in everything – the kitchen, the courtyard with the old wooden takhat, the passage boxed between the drain and Badi Ma’s bathroom, the door opening to the back garden, and from there to the farthest tree at the edge of the wall – in a single sweep. The door to the far side, leading to the servants’ quarters, opened and I ducked out of sight.


The flat tar and gravel roof, I discovered, was built in three ascending layers of roughly four-feet height. At the brink, stood the smaller outer rooms, the guest room I had just climbed over being one of them. These hemmed in the middle rooms: the four large bedrooms, and the cavernous dining room with the elongated eight-seating dining table in the middle (how often I would be reminded of it in the early days at the boarding-school when I would see the burnishing patches of sunlight on the long tables in the refectory) and the heavy sideboard pushed against the wall separating it from the drawing room; the wall broken by a heavily-curtained door at each end. Thrust in the middle of these rooms, and rising over the layered planes like a pulpit, was the flat hexagon of the drawing room – two of the bigger bedrooms on its either sides, the dining room abutting the back and the front dropping steeply to the low roof over the portico. It was the room where the chain of the heavy chandelier and the downrods of the fans dropped several feet below resting about fifteen feet over the sofas; it was almost a custom with the guests from the village to hesitate at the doorsteps of the tall front door and then enter with a humility and awe reserved for the great cathedrals, their eyes slowly taking in the vastness of the room – the maize-coloured terrazzo dominating the floor despite the two sets of sofas over thick carpets thrown against the walls, the mantelpiece facing the door half-hidden behind a giant pedestal holding the plaster bust of grandfather’s father, the tall portraits of the Nehrus and the Gandhis dominating each face of the walls – and then slowly rise to the ceiling, and invariably fixing open-mouthed on the Raj-era crystal chandelier that filled the view, unmindful of the dark shadows under the skylights beyond from where we watched them.


The skylights were on each face of the walls where the middle rooms met the outer rooms and the drawing room met the middle rooms. Flat rectangles about a feet high and three across, the frames rotating a quarter on hinges, opened and shut by cords passing through a metal loop and dropping in the room to be secured and twined around a hook; outside: an awning of falling cement between two brackets to check the rains and the mid-day sun. From below, we hardly noticed them despite the chinks of light that sneaked between the awning and the slat and, leaving debris of dancing-dust on its trail, lit warm patches on the floor. Even if one would lift the eyes towards them, one would have to squint and shade them with a palm, for the sunlight was white and near-blinding, and the rest dark in the shadows of the awning. From the above though, one did not have to squint. Once, squatting, the head had been pushed under the awning and over the horizontal slat, and after one had pulled away the cobwebs from the face and held the sneeze, the rooms below opened like tableaux; and one could suck leisurely into the lives bustling below– silently, unseen, undetected.


Sitting on the front seat of the double decker, we watch the bus part through the flooded lanes like a ship strayed into the heart of a city along with the high tide. ‘I have always understood the world from here. Hovering a little above it, watching its machinations and thus slowly understanding them. Below, with them, I feel – overwhelmed.’


Understand me, Shaz. I was not born in the chaos like you. I had been suddenly thrust into the Manor. Even, the reception party waiting for us at the platform had numbered at least thirty-three, if the photograph – papa standing in the middle, his face hidden behind three thick garlands, one hand over Preeti’s left shoulder, who stares at the camera confused yet defiant, Badi Ma’s hand on her head, swathes of aunts cousins uncles kids in a wide semi-circle around, and the train still steaming behind – did not miss out too many of them. (I am that bundled form across Ba’s right shoulder; fatigued: the pink doctor’s first diagnosis.) Even after they scattered, the house remained too close to my face for me to pick out its features. I looked up the ceilings till my neck hurt but instead of reverence, I was filled with dread at its enormity. I would find myself in a strange room and run around frantic for a familiar face, pushing doors at random, but each door would bring me to a similar room with another four doors leading away from it. Slowly, I adjusted – the strangers assimilated into a familiarity. I learnt to find my way through the rooms. And yet my understanding came with the exhaustion of a non-native speaker listening and translating in his head.


Once in a coffee-house in Chicago I had heard a noise, a thud. Everyone else had known that sound well enough to be not bothered by it and had, without a pause, continued with their books, conversations and thoughts; only I had raised my eyes and was looking around uncomprehending. In that moment, I had understood what being an alien meant. My fascination with the house, the discovery of its secrets one by one, never quelled my anxiety of still not having understood it; of my still being a tourist – an outsider with no claim.


The skylights were like a mesh of surveillance screens and the house, suddenly bared, a doll house with its roof carefully plucked away, finally revealed its true shape and geometry to me. They opened in all the main rooms of the main wing, except for the outer ones, which included the box rooms, and the dressing rooms and the bathrooms – the canny Englishman had realised and pre-empted their threat in these private rooms. The bustle and activity became the games of Lilliputian people, held in giant invisible hands – my hands – and accoutred from a choice of stuff – what I chose – scuttling across floors, acknowledging each other when they came across by stopping and exchanging platitudes (‘Sarla ko dekha?’ ‘Nahin, puja ke kamre mein to nahi hai?’ ‘ Haan, wahaan dekhtee hun’ – figures part in different directions), and then pushing the door to some another room, with I rushing above them to the window to the room being entered, and continuing with their same silly game.


I do not remember how long that phase of initial excitement lasted. The Manor at last sunk beneath my consciousness and then disappeared. The games inside became quotidian and boring. I turned away from the windows and walked to the edge of the parapets and looked at the world beyond. It was a world more accessible, a foreshortened panorama, not the distant sweeps of sand dunes that I had seen from our fourteenth storied flat. The back garden, the front lawn, the wall running like a track and dividing them, the wild orchard filling the back garden, the trimmed and hedged front lawn, and beyond, over the wall, the might red walls of the governor’s residence; a stray cyclist, rickshaw, sometimes a car, drifting along the road separating the two high walls. The flatness of this world, its enoughness was strangely comforting. I climbed up one day and instead of the skywindows just walked along the parapet to the middle of the room, and sat down. The chabootra a few feet of drop below me, a parrot pecking at a guava in a tree, the air still. I brought my knees together and hugged them. At that moment, the Manor and I were one.


And then Preeti heaved herself up the edge of the roof I had just climbed over.